Skip to content

Dallas Art Fair Online

April 14 – 23, 2020

Julio Le Parc, Serie 29 No. 1-1-1-1, 1970. Acrylic on canvas, 67 5/16 x 67 5/16 in. (171 x 171 cm.)

Julio Le Parc, Serie 29 No. 1-1-1-1, 1970. Acrylic on canvas, 67 5/16 x 67 5/16 in. (171 x 171 cm.)

Liliana Porter, Blue Sand, 2018.

Liliana Porter, Blue Sand, 2018.

Liliana Porter, For Sale IV. Edition 3/5 [Limited edition of 5 + 2 AP], 2016. Fuji-flex c-print, 22 1/4 x 16 1/2 in. (56.5 x 41.9 cm.)

Liliana Porter, For Sale IV. Edition 3/5 [Limited edition of 5 + 2 AP], 2016. Fuji-flex c-print, 22 1/4 x 16 1/2 in. (56.5 x 41.9 cm.)

Liliana Porter, For Sale [Refrigerator, TV, Table], 2018. Objects on white shelf, 7 x 10 1/2 x 6 1/2 in. (17.8 x 26.7 x 16.5 cm.)

Liliana Porter, For Sale [Refrigerator, TV, Table], 2018. Objects on white shelf, 7 x 10 1/2 x 6 1/2 in. (17.8 x 26.7 x 16.5 cm.)

Gustavo Díaz, Not yet titled [triptych], 2019. Cut out paper & pigment, 18 9/16 x 18 9/16 x 2 in. (47.2 x 47.2 x 5.1 cm.) each.

Gustavo Díaz, Not yet titled [triptych], 2019. Cut out paper & pigment, 18 9/16 x 18 9/16 x 2 in. (47.2 x 47.2 x 5.1 cm.) each.

Gustavo Díaz, De la Serie: “El acumulador de crepúsculos”. El primer crepúsculo., 2019. Cut out paper, 18 5/8 x 18 5/8 in. (47.3 x 47.3 cm.)

Gustavo Díaz, De la Serie: “El acumulador de crepúsculos”. El primer crepúsculo., 2019. Cut out paper, 18 5/8 x 18 5/8 in. (47.3 x 47.3 cm.)

Gustavo Díaz, De la Serie: “El acumulador de crepúsculos”. El segundo crepúsculo., 2019. Cut out paper, 18 5/8 x 18 5/8 in. (47.3 x 47.3 cm.)

Gustavo Díaz, De la Serie: “El acumulador de crepúsculos”. El segundo crepúsculo., 2019. Cut out paper, 18 5/8 x 18 5/8 in. (47.3 x 47.3 cm.)

Carlos Cruz-Diez, Physichromie No 472, 1969. Cardboard (Celloderme), casein (Plaka), cellulose acetate (Rhodoid) inserts mounted on plywood with wood frame, 16 1/8 x 16 1/8 in. (41 x 41 cm.)

Carlos Cruz-Diez, Physichromie No 472, 1969. Cardboard (Celloderme), casein (Plaka), cellulose acetate (Rhodoid) inserts mounted on plywood with wood frame, 16 1/8 x 16 1/8 in. (41 x 41 cm.)

Gregorio Vardanega, Chromographie Paris, 1986. Acrylic on canvas, 22 7/8 x 22 7/8 in. (58.1 x 58 cm.)

Gregorio Vardanega, Chromographie Paris, 1986. Acrylic on canvas, 22 7/8 x 22 7/8 in. (58.1 x 58 cm.)

Alejandro Otero, Tablón 13, Bonjour M. Cezanne [Plank 13, Good Morning Cezanne], 1973-1987. Acrylic on wood and Formica, 78 11/16 x 21 5/8 in. (200 x 55 cm.)

Alejandro Otero, Tablón 13, Bonjour M. Cezanne [Plank 13, Good Morning Cezanne], 1973-1987. Acrylic on wood and Formica, 78 11/16 x 21 5/8 in. (200 x 55 cm.)

Carlos Cruz-Diez, Physichromie Panam 269, 2017. Chromography on Aluminum, 39 5/16 x 39 5/16 in. (100 x 100 cm.)

Carlos Cruz-Diez, Physichromie Panam 269, 2017. Chromography on Aluminum, 39 5/16 x 39 5/16 in. (100 x 100 cm.)

Mercedes Pardo Ponte, Sin Título [Untitled], 1997. Acrylic on canvas, 31 1/2 x 47 3/16 in. (80 x 120 cm.)

Mercedes Pardo Ponte, Sin Título [Untitled], 1997. Acrylic on canvas, 31 1/2 x 47 3/16 in. (80 x 120 cm.)

John Sparagana, Hypnogogic Superman Variation 3, 2015. Archival inkjet prints, sliced and mixed on paper, 95 x 85 in. (241.3 x 215.9 cm.)

John Sparagana, Hypnogogic Superman Variation 3, 2015. Archival inkjet prints, sliced and mixed on paper, 95 x 85 in. (241.3 x 215.9 cm.)

John Sparagana, Themesong Derivations, 2015. Multiple inkjet prints, sliced and mixed, on paper, 32 x 24 in. (81.3 x 61 cm.)

John Sparagana, Themesong Derivations, 2015. Multiple inkjet prints, sliced and mixed, on paper, 32 x 24 in. (81.3 x 61 cm.)

John Sparagana, Themesong Derivation, 2015. Multiple inkjet prints, sliced and mixed, on paper, 32 x 23 1/4 in. (81.3 x 59.1 cm.)

John Sparagana, Themesong Derivation, 2015. Multiple inkjet prints, sliced and mixed, on paper, 32 x 23 1/4 in. (81.3 x 59.1 cm.)

Melanie Smith, Fordlandia VI, 2014. Acrylic enamel on acrylic, 59 1/16 x 70 13/16 x 1 1/8 in. (150 x 180 x 2.9 cm.)

Melanie Smith, Fordlandia VI, 2014. Acrylic enamel on acrylic, 59 1/16 x 70 13/16 x 1 1/8 in. (150 x 180 x 2.9 cm.)

Press Release

From April 14-23, 2020, the Dallas Art Fair will present Dallas Art Fair Online, a new platform allowing collectors to digitally preview and acquire works from participating galleries before the fair’s upcoming twelfth edition, which has been rescheduled to October 1-4, 2020, due to the COVID-19 pandemic.

Sicardi | Ayers | Bacino is pleased to present a selection of works dating from 1969 to the present, by modern masters including Carlos Cruz-Diez, Julio Le Parc, and Alejandro Otero, as well as contemporary artists including Melanie Smith and John Sparagana. Using a diverse array of materials and processes, these artists explore themes including geometric abstraction, color theory, environmental issues, the underlying order within nature, and the psychology of the human condition. 

Visit our virtual booth here: Sicardi | Ayers | Bacino at the Dallas Art Fair Online.

View the catalogue here: Dallas Art Fair Online Catalogue.

Starts April 14, 2020 10am CST and ends April 23, 2020.