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Dallas Art Fair

Booth A3

April 21 - 24, 2022

Elias Crespin, Circuconcéntricos Laiton-50, 2018. Coated brass, 19 11/16 in. (diameter)

Elias Crespin, Circuconcéntricos Laiton-50, 2018. Coated brass, 19 11/16 in. (diameter)

Carlos Cruz-Diez, Physichromie 888, 1976. Silkscreened aluminum modules, stainless steel inserts with aluminum strip frame, 31 1/2 x 31 1/2 in.

Carlos Cruz-Diez, Physichromie 888, 1976. Silkscreened aluminum modules, stainless steel inserts with aluminum strip frame, 31 1/2 x 31 1/2 in.

Miguel Ángel Rojas, El Capital  (CAPITAL) Diptych, 2009. Acrylic, gold leaf, silver and gold electrolytic, 16 x 66 in.

Miguel Ángel Rojas, El Capital  (CAPITAL) Diptych, 2009. Acrylic, gold leaf, silver and gold electrolytic, 16 x 66 in.

Mercedes Pardo, Sin Título [Untitled], 1997. Acrylic on canvas, 32 5/8 x 47 x 1 3/8 in.

Mercedes Pardo, Sin Título [Untitled], 1997. Acrylic on canvas, 32 5/8 x 47 x 1 3/8 in.

Melanie Smith, Fordlandia X, 2014. Acrylic enamel on acrylic, 55 1/16 x 62 15/16 x 1 1/8 in.

Melanie Smith, Fordlandia X, 2014. Acrylic enamel on acrylic, 55 1/16 x 62 15/16 x 1 1/8 in.

Fanny Sanín, Acrylic No. 1, 1992, 1992. Acrylic on canvas, 37 x 46 in.

Fanny Sanín, Acrylic No. 1, 1992, 1992. Acrylic on canvas, 37 x 46 in.

Fanny Sanín, Study for Painting No. 1, 1992 (1) & Study for Painting No. 1, 1992 (4), 1992. Acrylic on paper, 7 1/2 x 10 1/4 in. each

Fanny Sanín, Study for Painting No. 1, 1992 (1) & Study for Painting No. 1, 1992 (4), 1992. Acrylic on paper, 7 1/2 x 10 1/4 in. each

Gustavo Díaz, From the Series: While Stravinsky composes Firebird, Olivier Messiaen flies and draws. [The cardinal is unaware that it comforts you], 2019. Cut out paper, 24 1/2 x 70 1/2 x 2 1/4 in.

Gustavo Díaz, From the Series: While Stravinsky composes Firebird, Olivier Messiaen flies and draws. [The cardinal is unaware that it comforts you], 2019. Cut out paper, 24 1/2 x 70 1/2 x 2 1/4 in.

Gustavo Díaz, Untitled, 2020. Cut out paper, pigment, & colored pencil, 25 5/8 x 25 5/8 x 3 1/2 in.

Gustavo Díaz, Untitled, 2020. Cut out paper, pigment, & colored pencil, 25 5/8 x 25 5/8 x 3 1/2 in.

Gustavo Díaz, Untitled, 2019. Cut out paper , 18 x 17 in.

Gustavo Díaz, Untitled, 2019. Cut out paper , 18 x 17 in.

Gabriel de la Mora, 942 II, 2020. Pigmented turkey feathers on museum cardboard, 16 7/8 x 16 7/8 x 1 9/16 in.

Gabriel de la Mora, 942 II, 2020. Pigmented turkey feathers on museum cardboard, 16 7/8 x 16 7/8 x 1 9/16 in.

Gabriel de la Mora, 956 I, 2020. Pigmented turkey feathers on museum cardboard, 16 7/8 x 16 7/8 x 1 9/16 in.

Gabriel de la Mora, 956 I, 2020. Pigmented turkey feathers on museum cardboard, 16 7/8 x 16 7/8 x 1 9/16 in.

Gabriel de la Mora, 900 V, 2020. Pigmented turkey feathers on museum cardboard, 16 7/8 x 16 7/8 x 1 9/16 in.

Gabriel de la Mora, 900 V, 2020. Pigmented turkey feathers on museum cardboard, 16 7/8 x 16 7/8 x 1 9/16 in.

Marco Maggi, Vertical Complot 1, 2017. Slide mounts with 35 mm. cut papers, 12 x 12 in.

Marco Maggi, Vertical Complot 1, 2017. Slide mounts with 35 mm. cut papers, 12 x 12 in.

Marco Maggi, Vertical Complot 7, 2017. Slide mounts with 35 mm. cut papers, 12 x 12 in.

Marco Maggi, Vertical Complot 7, 2017. Slide mounts with 35 mm. cut papers, 12 x 12 in.

Marco Maggi, Vertical Complot 9, 2017. Slide mounts with 35 mm. cut papers, 12 x 12 in.

Marco Maggi, Vertical Complot 9, 2017. Slide mounts with 35 mm. cut papers, 12 x 12 in.

Marco Maggi, Vertical Complot 10, 2017. Slide mounts with 35 mm. cut papers, 12 x 12 in.

Marco Maggi, Vertical Complot 10, 2017. Slide mounts with 35 mm. cut papers, 12 x 12 in.

Marco Maggi, Vertical Complot 12, 2017. Slide mounts with 35 mm. cut papers, 12 x 12 in.

Marco Maggi, Vertical Complot 12, 2017. Slide mounts with 35 mm. cut papers, 12 x 12 in.

Melanie Smith, Fragmented Landscape 14, 2020. Pigment on wood, 35 3/8 x 29 1/2 in.

Melanie Smith, Fragmented Landscape 14, 2020. Pigment on wood, 35 3/8 x 29 1/2 in.

Melanie Smith, Fragmented Landscape 18, 2020. Pigment on wood, 35 3/8 x 29 1/2 in.

Melanie Smith, Fragmented Landscape 18, 2020. Pigment on wood, 35 3/8 x 29 1/2 in.

John Sparagana, Splendid Isolation (Forces at Work) Summer/Fall/Winter 2020 #26, 2020. Sliced and mixed printed matter on paper, 55 3/4 x 45 1/4 in.

John Sparagana, Splendid Isolation (Forces at Work) Summer/Fall/Winter 2020 #26, 2020. Sliced and mixed printed matter on paper, 55 3/4 x 45 1/4 in.

John Sparagana, Splendid Isolation (Forces at Work) Summer/Fall/Winter 2020 #28, 2020. Sliced and mixed printed matter on paper, 57 1/8 x 46 5/8 x 1 1/2 in.

John Sparagana, Splendid Isolation (Forces at Work) Summer/Fall/Winter 2020 #28, 2020. Sliced and mixed printed matter on paper, 57 1/8 x 46 5/8 x 1 1/2 in.

Press Release

Sicardi | Ayers | Bacino is pleased to announce our participation in the Dallas Art Fair at the Fashion Industry Gallery in Dallas' design district from April 21-24, 2022. From a vintage Physichromie by Carlos Cruz-Diez to abstract works made of pigmented turkey feathers by Gabriel de la Mora and an acrylic painting by Mercedes Pardo, this selection offers a glimpse into the dynamic range of our modern and contemporary program. Our booth will also feature works by Elias Crespin, Gustavo Díaz, Marco Maggi, Miguel Ángel Rojas, Fanny Sanín, Melanie Smith, and John Sparagana. 

Fashion Industry Gallery
1807 Ross Ave
Dallas, TX 75201
Booth A3

VIP Preview Day: Thursday, April 21
Fair Dates: Friday, April 22 - Sunday, April 24