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Dallas Art Fair

Booth A3

April 4 – 7, 2024

Rodrigo Facundo, Downhearted [Abatido], 2021. Acrylic on canvas, 62 3/4 x 81 7/8 in.

Rodrigo Facundo, Downhearted [Abatido], 2021. Acrylic on canvas, 62 3/4 x 81 7/8 in.

Rodrigo Facundo 2023, Mapa Tejido, 2023, Mixed media on canvas, 33 ½ x 25 ⅝ in. (85 x 65 cm.)

Rodrigo Facundo 2023, Mapa Tejido, 2023, Mixed media on canvas, 33 ½ x 25 ⅝ in. (85 x 65 cm.)

Rodrigo Facundo 2023, The Scramble, 2023, Mixed media on canvas, 33 ½ x 25 ⅝ in. (85 x 65 cm.)

Rodrigo Facundo 2023, The Scramble, 2023, Mixed media on canvas, 33 ½ x 25 ⅝ in. (85 x 65 cm.)

Rodrigo Facundo, Untitled, 2024, Acrylic gouache on canvas, 34 ⅞ x 26 ⅞ in. (88.6 x 68.3 cm.)

Rodrigo Facundo, Untitled, 2024, Acrylic gouache on canvas, 34 ⅞ x 26 ⅞ in. (88.6 x 68.3 cm.)

Rodrigo Facundo, Natural Course, 2024, Acrylic gouache on canvas, 20 ⅞ x 24 ⅞ in. (53 x 63.2 cm.)

Rodrigo Facundo, Natural Course, 2024, Acrylic gouache on canvas, 20 ⅞ x 24 ⅞ in. (53 x 63.2 cm.)

Rodrigo Facundo, Chimera, 2024, Acrylic gouache on canvas, 20 ⅞ x 24 ⅞ in. (53 x 63.2 cm.)

Rodrigo Facundo, Chimera, 2024, Acrylic gouache on canvas, 20 ⅞ x 24 ⅞ in. (53 x 63.2 cm.)

Rodrigo Facundo, Conference of the Birds, 2024, Acrylic gouache on canvas, 26 ⅞ x 34 ⅞ in. (68.3 x 88.6 cm.)

Rodrigo Facundo, Conference of the Birds, 2024, Acrylic gouache on canvas, 26 ⅞ x 34 ⅞ in. (68.3 x 88.6 cm.)

Rodrigo Facundo, Exvoto, 2024, Acrylic gouache on canvas, 24 ⅞ x 20 ⅞ in. (63.2 x 53 cm.)

Rodrigo Facundo, Exvoto, 2024, Acrylic gouache on canvas, 24 ⅞ x 20 ⅞ in. (63.2 x 53 cm.)

Rodrigo Facundo, Votivo, 2024, Acrylic gouache on canvas, 24 ⅞ x 20 ⅞ in. (63.2 x 53 cm.)

Rodrigo Facundo, Votivo, 2024, Acrylic gouache on canvas, 24 ⅞ x 20 ⅞ in. (63.2 x 53 cm.)

Jorinde Voigt, Nymph 3, 2024, Walnut, 2 parts, 11 ¼ x 9 ⅝ x 15 ¾ in. (28.5 x 24.5 x 40 cm.)

Jorinde Voigt, Nymph 3, 2024, Walnut, 2 parts, 11 ¼ x 9 ⅝ x 15 ¾ in. (28.5 x 24.5 x 40 cm.)

Jorinde Voigt, Nymph 5, 2024, Walnut, 2 parts, 11 x 12 ¼ x 23 ¼ in. (28 x 31 x 59 cm.)

Jorinde Voigt, Nymph 5, 2024, Walnut, 2 parts, 11 x 12 ¼ x 23 ¼ in. (28 x 31 x 59 cm.)

Gustavo Díaz, Untitled, 2021. Graphite on paper, 26 1/8 x 41 1/8 in.

Gustavo Díaz, Untitled, 2021. Graphite on paper, 26 1/8 x 41 1/8 in.

A/T/01, from the series Arquitexturas de sendas futuras y recorridas , 2017 Cut out paper. 42 3/4 x 22 3/4 x 22 3/4 in. (108.6 x 57.8 x 57.8 cm.)

A/T/01, from the series Arquitexturas de sendas futuras y recorridas , 2017 Cut out paper. 42 3/4 x 22 3/4 x 22 3/4 in. (108.6 x 57.8 x 57.8 cm.)

Gustavo Díaz, A Brush with Uncertainty #2, 2019, Cut out paper & pencil, 12 ⅞ x 11 ¼ x 2 ⅝ in.

Gustavo Díaz, A Brush with Uncertainty #2, 2019, Cut out paper & pencil, 12 ⅞ x 11 ¼ x 2 ⅝ in.

Gustavo Díaz, A Brush with Uncertainty #4, 2019, Cut out paper & pencil, 16 ¾ x 14 ⅜ x 2 ½ in.

Gustavo Díaz, A Brush with Uncertainty #4, 2019, Cut out paper & pencil, 16 ¾ x 14 ⅜ x 2 ½ in.

Gustavo Díaz, A Brush with Uncertainty #9, 2019, Cut out paper & pencil, 16 ¾ x 12 ⅞ x 2 ½ in.

Gustavo Díaz, A Brush with Uncertainty #9, 2019, Cut out paper & pencil, 16 ¾ x 12 ⅞ x 2 ½ in.

Gustavo Díaz, A Brush with Uncertainty #10, 2019, Cut out paper & pencil, 16 x 12 x 2 ½ in.

Gustavo Díaz, A Brush with Uncertainty #10, 2019, Cut out paper & pencil, 16 x 12 x 2 ½ in.

Eleonore Koch, Untitled, 1982, Tempera on canvas, 31 ⅞ x 25 ⅝ in. (81 x 65 cm.)

Eleonore Koch, Untitled, 1982, Tempera on canvas, 31 ⅞ x 25 ⅝ in. (81 x 65 cm.)

Eleonore Koch, Untitled, 1982, Graphite and tempera on paper, 6 ⅞ x 8 ⅞ in. (17.5 x 22.4 cm.)

Eleonore Koch, Untitled, 1982, Graphite and tempera on paper, 6 ⅞ x 8 ⅞ in. (17.5 x 22.4 cm.)

Eleonore Koch, Untitled, 1984, Graphite, tempera and collage on paper, 6 ⅛ x 9 ¼ in. (15.7 x 23.4 cm.)

Eleonore Koch, Untitled, 1984, Graphite, tempera and collage on paper, 6 ⅛ x 9 ¼ in. (15.7 x 23.4 cm.)

Press Release

Sicardi | Ayers | Bacino is pleased to announce our participation in the Dallas Art Fair at the Fashion Industry Gallery in Dallas, Texas from April 4-7, 2024. In Booth A3, the gallery will present a group exhibition showcasing the range of our program, including artists Gustavo Díaz, Rodrigo Facundo, Eleonore Koch, and Jorinde Voigt.

Gustavo Díaz [b. 1969, Argentina] researches the behavior of complexity and presents his findings through intricate, abstract works on paper and installations that map the conceptual connections between theories such as Chaos Theory, Dissipative Structures, fuzzy logic, and the concept of networks. Although the work is entirely abstract, Díaz relies upon our associations with natural phenomena such as the flight patterns of birds to create intricate non-representational drawings.

Rodrigo Facundo [b. 1958, Colombia] draws upon his diverse training in a variety of mediums including photographic techniques, sculpture, electronics, assembly, metallurgy, weaving, ceramics, metal forging, miniatures, the production and manipulation of felt, and graphic production as he approaches his practice. His most recent body of work features paintings and watercolors that represent his technical mastery of the mediums and his conceptual finesse in creating complex paradisal visions of nature and humanity that artfully weave together conflicting images within the realm of fantastic beauty.

Eleonore Koch [1926, Germany – 2018, Brazil] formally trained under master artists including Alfredo Volpi, from whom she adopted the use of egg tempera as a predominant medium. Unlike many of her mid-century contemporaries, she never embraced complete abstraction, always including the figure in her work, albiet never the human figure. Her work favors a formality of composition and a saturated, vibrant color palette. Whether depicting a garden landscape or interior scene, Koch edits out the extraneous detail and flattens the pictorial plane, pulling focus to the few objects she chooses to carefully arrange. 

Jorinde Voigt [b. 1977, Germany] observes and explores the inner processes of perception in relation to various aspects and subjects such as affects and emotions, imagination, memory, sensory experience, natural and cultural phenomena, scientific data, interpersonal actions, and relationships. Often using as her starting point a musical composition or a philosophical text, she creates complex systems of charts, diagrams, and thought models to map the natural rhythms that govern our experience of reality through the media of drawing, painting, collage, and sculpture.

Location: 

Fashion Industry Gallery
1807 Ross Ave
Dallas, TX 75201
Booth A3


VIP Preview: 

Thursday, April 4, 12-4pm - by invitation only

Foundation Preview Benefit:

Thursday, April 4, 5-9pm


Fair Dates: 

Friday, April 21, 11am-7pm

Saturday, April 22, 11am-7pm

Sunday, April 23, 11am-5pm

 

Purchase tickets here: Dallas Art Fair Tickets

For a preview of the booth, contact William Isbell at william@sicardi.com or call the gallery at 713.529.1313.