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Biography

Mercedes (Clementina Marta Del Carmen) Pardo
[1921-2005, Venezuela]

Mercedes Pardo was one of the most important representatives of abstract art in Venezuela. Her work revolved mainly around painting but also extended to stained glass, enamel on metal, and graphics. Likewise, she created pieces involving architectural integration as well as theatrical sets and wardrobe. She taught and founded several creativity workshops. During her childhood, she studied painting with Danish professor Ingeborg Fostberg and, at age thirteen, she began taking courses at the Academy of Fine Arts, which she continued in 1941 and completed in 1944. In 1945, she married Marco Bontá, a stained glass and mural painting professor from Chile, divorcing him shortly thereafter. She traveled to Chile to attend the Escuela de Bellas Artes de Santiago in 1947, where she had her first solo show.

In 1949, she was awarded a fellowship by the Chilean Government (Ministry of Education) and then moved to Paris to enroll at theÉcole du Louvre, where she studied art history under Cohe de la Ferti and Jean Cassou. During this period, she began producing collages and her first abstract works. In 1951, she married Alejandro Otero in London.

In 1952, she returned to Venezuela and participated in the International Exhibition of Abstract Art (Galeria Cuatro Muros, Caracas). Abstractionism began to be recognized in Venezuela during the 1950s, and a climate of renewal for both artistic production and education was supported by the Universidad Central de Venezuela (UCV)’s implementation of an artistic integration project and by the return of a generation of artists educated in France. Around 1956, Pardo began producing pieces that could be categorized as pre-informalist given their use of a rich pictorial layer, though her work tended toward a formal exploration of color effects. In 1956, she began doing stage sets with Elizabeth Schön’s Interval at the Teatro Nacional in Caracas. In 1960, she moved to Paris, where she painted abstract watercolors characterized by their lyrical brushstrokes, drips, and blotches that created a highly dynamic artistic space.

In 1962, she became a founding member of the San Antonio de Los Altos Cooperative School in the State of Miranda, Venezuela, known today as the Community School, and initiated its craft workshops where she also gave classes. Working in architecture integration, she produced a number of pieces, including a stained-glass window at the La Hoyada station of the Caracas subway (1983), a mosaic mural at the Hospital de Niños J.M. de Los Rios (Caracas), and the ceiling of La Viña Shopping Center in Valencia (Carabobo State). In 1991, she held her most important anthological exhibition, Moradas del color, at the Galería de Arte Nacional (GAN) in Caracas. During her final years, she worked and lived in San Antonio de Los Altos (State of Miranda, Venezuela).

Pardo’s works have been shown in many important selected exhibitions, including Bienal de São Paulo, Brazil (1959); Graphic Work by Mercedes Pardo, Consulate General of Venezuela, New York City, New York, USA (1993); Moradas del color, Galería de Arte Nacional (GAN), Caracas, Venezuela (1991); Mercedes Pardo: 1951–2000, Museo Alejandro Otero (MAO), Caracas, Venezuela (2000); Creadoras latinoamericanas, Museo de Bellas Artes, Caracas, Venezuela (2018); Contesting Modernity: Informalism in Venezuela, 1955-1957, The Museum of Fine Arts, Houston (MFAH), Texas, USA (2018); Sites of Latin American Abstraction, Museum of Latin American Art (MoLAA), Long Beach, California, USA (2009); and Embracing Modernity: Venezuelan Geometric Abstraction, Patricia and Phillip Frost Art Museum, Florida International University, Miami, Florida, USA (2010).

Pardo’s works are represented in several major collections, including Banco de la República, Bogotá, Colombia; Colección Patricia Phelps de Cisneros (CPPC), Caracas, Venezuela and New York City, New York, USA; Fundación Banco Mercantil, Caracas, Venezuela; Galería de Arte Nacional (GAN), Caracas, Venezuela; and Museo de Bellas Artes, Caracas, Venezuela.

Selected Exhibitions

2022
Iluminaciones. La lógica sensible de Mercedes Pardo y Alejandro Otero (julio). Museo Alejandro Otero, Caracas.

2021
Unframed, Sicardi | Ayers | Bacino, Houston, TX, USA

2020
The Grid in Modern Latin American Art, Sicardi | Ayers | Bacino, Houston, Texas, USA
Dialogues, Sicardi | Ayers | Bacino, Houston, Texas, USA

2019
Women Geometers, Atchugarry Art Center/Piero Atchugarry Gallery, Miami, FL, USA
Women Artists from Latin America, Museo de Bellas Artes, Caracas, Venezuela

2018
Contesting Modernity: Informalism in Venezuela, 1955-1957, Museum of Fine Arts, Houston (MFAH), TX, USA
Mercedes Pardo: Beyond Color, Sicardi | Ayers | Bacino, Houston, TX, USA

2005
Pueblo de la Mar Cultural Center, Porlamar, State of Nueva Esparta / Unimet, Venezuela

2000
Mercedes Pardo: 1951–2000, MAO / Color and Form, Galería de Arte Nacional (GAN), Caracas, Venezuela

1996
Sacred Museum, Caracas, Venezuela

1995
Graphic work by Mercedes Pardo, Ministry of Exterior Relationships, Caracas, Venezuela

1994
Graphic work by Mercedes Pardo, Los Espacios Cálidos, Caracas, Venezuela

1993
Graphic work by Mercedes Pardo, Venezuelan Consulate, New York, NY, USA

1991
Abodes of Color, Galería de Arte Nacional (GAN), Caracas, Venezuela

1983
Inesauribile Venecia, Sagitario Gallery, Caracas, Venezuela

1980
Mercedes Pardo in Margarita: Paintings/Serigraphs, Francisco Narvaez Museum, Venezuela

1979
Color, Skin, Meditated Presence: Mercedes Pardo, Galería de Arte Nacional (GAN) / Adler/Castillo Gallery, Caracas, Venezuela

1978
Today, from Mercedes Pardo’s Studio, Galería de Arte Nacional (GAN), Caracas, Venezuela; Museo de Arte Moderno, Mexico City, Mexico

1977
Adler/Castillo Gallery, Caracas; El Parque Art Center, Valencia, State of Carabobo; Pecanins Gallery, Mexico City, Mexico

1974
Aele Gallery, Madrid, Spain

1971
Fine Arts Centre, Maracaibo, Venezuela

1970
Recent works by Mercedes Pardo, Sala Mendoza, Caracas, Venezuela

1969
1 x 9 Color of Serigraphy, Fine Arts Museum, Caracas, Venezuela

1967
Signs, Cruz del Sur Bookstore, Caracas, Venezuela

1964
Signs, Sala Mendoza, Caracas, Venezuela

1962
Fine Arts Museum, Caracas, Venezuela

1947
Sala del Pacífico, Santiago de Chile, Chile

Selected Public Collections

Museo de Arte del Banco de la República, Bogota, Colombia

Museum of Fine Arts, Caracas, Venezuela

Banco Mercantil Foundation, Caracas, Venezuela

National Art Gallery, Caracas, Venezuela

Central Bank of Venezuela, Caracas, Venezuela

Fundación Privada Allegro, Madrid, Spain

Cancilleria de Venezuela, Caracas, Venezuela

Jesús Soto Museum of Modern Art, Ciudad Bolívar, Venezuela 

Museo Francisco Narváez, Porlamar, Venezuela

Residencia Presidencial La Casona, Caracas, Venezuela