![Alejandro Otero, Tablón 12, Upata 1927 [Plank 12 Upata 1927], 1973-1987. Acrylic lacquer on wood and Formica, 78 11/16 x 21 5/8 in.](https://img.artlogic.net/w_2020,h_1160,c_limit/exhibit-e/5ab12bb7a09a72340a8b4568/031516a55b66f1a392395b3d7b998e46.jpeg)
![Francisco Sobrino, Déplacement Instable, 1961/1969, Plexiglas (8 colors], 28 3/8 x 28 3/8 in.](https://img.artlogic.net/w_1010,h_580,c_limit/exhibit-e/5ab12bb7a09a72340a8b4568/0eb15971c7e2e27d49d39cfb856b53e3.jpeg)
Antonio Asis
Gego, Untitled, 1986. Watercolor on paper, 11 3/4 x 11 5/8 in.
Carlos Cruz-Diez, Physichromie 377, 1968, Cardboard (Celloderme), casein (Plaka), cellulose acetate (Rhodoid) inserts mounted on plywood with wood frame, 24 3/8 x 24 in.
Mercedes Pardo Ponte, Untitled, 1990. Acrylic on canvas, 47 3/16 x 47 3/16 in.
Mercedes Pardo, Iridiscencia, 1980. Acrylic on canvas, 47 3/16 x 47 3/16 in.
Alejandro Otero, Tablón 12, Upata 1927 [Plank 12 Upata 1927], 1973-1987. Acrylic lacquer on wood and Formica, 78 11/16 x 21 5/8 in.
Francisco Sobrino, Untitled, 1959-1970, Acrylic on canvas, 47 1/4 x 47 1/4 in. (120 x 120 cm.)
Francisco Sobrino, Transformation Instable. Ed. 1/3, 1971-2013. Mirror-polished stainless steel, 85 7/8 x 61 3/8 x 57 7/8 in.
Jesús Rafael Soto, Color Inferior, 1991. Wood and Metal, 79 7/8 x 40 1/8 x 7 in.
Francisco Sobrino, Structure Permutationnelle. Ed. 6/7, 1963/2014. Mirror-polished stainless steel, 39 3/8 x 13 x 13 in. (100 x 33 x 33 cm.)
Carlos Cruz-Diez, Physichromie Panam 245, 2015, Chromography on aluminum, Plexiglass, 39 5/16 x 118 1/16 in. (100 x 300 cm.)
Luis Tomasello, Atmosphère Chromoplastique N° 1029, 2013. Painting, acrylic and wood, 53 1/4 x 53 1/4 in.
Francisco Sobrino, Déplacement Instable, 1961/1969, Plexiglas (8 colors], 28 3/8 x 28 3/8 in.
Julio Le Parc, Continuel Lumiere, Ed. 2/10, 1962-1966. Wood, stainless steel, nylon wire, aluminum, bulb, 69 1/4 x 62 15/16 x 8 5/8 in.
Luis Tomasello, Atmosphère Chromoplastique No. 472, 1979, Acrylic on wood, 23 3/4 x 23 3/4 x 4 1/4 in.
Antonio Asis, Untitled from the series Rectángulo Azul y Blanco, 2007. Acrylic on wood and metal, 40 1/8 x 25 x 5 3/4 in.
Antonio Asis, Carrés Rythmiques, 1972. Acrylic on cardboard, 10 x 10 in.
Antonio Asis, Untitled, 1960. Gouache on paper, 8 7/8 x 6 7/8 in.
Antonio Asis, Untitled from the series Chromatisme Quadrillé Polychrome, 1965, Gouache on paper, 11 3/4 x 8 3/8 in. (29.8 x 21.2 cm.)
Antonio Asis, Untitled from the series Cuadrados Rítmicos, 1966, Gouache on paper, 11 3/4 x 8 3/8 in. (29.8 x 21.2 cm.)
Antonio Asis, Cuadrados rítmicos, 1963, Gouache on paper, 11 3/8 x 8 1/4 in.
Antonio Asis, Untitled from the series Chromatisme Quadrillé Polychrome No 334, 1960, Gouache on paper, 6 3/16 x 6 3/16 in. (15.8 x 15.8 cm.)
In conjunction with Art Basel OVR: Miami Beach, Sicardi | Ayers | Bacino presents The Grid in Modern Latin American Art, featuring work by master artists Antonio Asis, Carlos Cruz-Diez, Gego, Alejandro Otero, Julio Le Parc, Mercedes Pardo, Francisco Sobrino, Jesús Rafael Soto, and Luis Tomasello. Working between Europe and Latin America in the mid-twentieth century, these artists used the framework of the grid as a starting point for divergent exploration of color and form on their paths to geometric abstraction.
The exhibition will be on view in Houston during the virtual edition of the annual art fair (December 2-6, 2020), and will run through January 9, 2021.
To schedule a visit or request more information, please call the gallery at 713.529.1313 or email info@sicardi.com.
