Miguel Ángel Ríos shooting Untitled from the series The Ghost of Modernity
Miguel Angel Ríos shooting The Ghost of Modernity Lixiviados and Untitled in Saachila, Oaxaca, Mexico, 2012
Miguel Ángel Ríos Video shooting THE GHOST OF MODERNITY lixiviados
Miguel Angel Ríos, Endless Exhibition, Sicardi | Ayers | Bacino, 2015
Miguel Angel Ríos, Piedras Blancas (Edition of 3 + 2AP), 2015. Inkjet print on 300 gr. Hahnemühle cotton paper, dibond, 13 x 19 3/4 in.
Miguel Ángel Ríos recording Piedras Blancas in Amatlán de Quetzalcóatl, Morelos, Mexico, 2014. Photo courtesy Carlos Cárdenas
Miguel Angel Ríos, Endless Exhibition, Sicardi | Ayers | Bacino, 2015
Miguel Angel Ríos, Untitled Nº 16 from the Endless series (Edition of 3 + 2AP), 2015. Inkjet print on 300 gr. Hahnemühle cotton paper, and dibond, 15 1/2 x 27 1/2 in.
Miguel Angel Ríos, Endless Exhibition, Sicardi | Ayers | Bacino, 2015
Miguel Angel Ríos, Endless Exhibition, Sicardi | Ayers | Bacino, 2015
Miguel Angel Ríos, Drawings from the series Endless, 2015. Ink and pencil on paper and cut out, 14 1/8 x 11 in. each
Miguel Angel Ríos: Torn to Shreds Exhibition, Sicardi | Ayers | Bacino, 2019
Miguel Angel Ríos, MAGAILLAN, 1992-1993. Cibachrome mounted on canvas, polyester cord and push pins, 196 13/16 x 151 9/16 in.
Miguel Ángel Ríos, Eminencia. Cibachrome mounted on canvas and push pins, 122 7/16 x 85 in.
Miguel Angel Ríos, Mapa Poncho, 1995-1996. Cibachrome mounted on canvas and push pins, 90 15/16 x 93 11/16 in.
Miguel Angel Ríos: Torn to Shreds Exhibition, Sicardi | Ayers | Bacino, 2019
Miguel Ángel Ríos, installing Las estrellas nos guían at Sicardi | Ayers | Bacino 2019 Torn to Shreds [1992-93 Cibachrome mounted on pleated canvas and push pins, 112 9/16 x 91 5/16 in.]
Miguel Angel Ríos, Le premier voyage a l’inconnu, 1993-1994. Cibachrome pencil and acrylic mounted on pleated canvas with push pins, 125 15/16 x 62 15/16 in.
Miguel Angel Ríos, Folding Borders Exhibition, Sicardi | Ayers | Bacino, 2013
Miguel Angel Ríos, Folding Borders Exhibition, Sicardi | Ayers | Bacino, 2013
Miguel Angel Ríos, Folding Borders Exhibition, Sicardi | Ayers | Bacino, 2013
Miguel Angel Ríos, Folding Borders Exhibition, Sicardi | Ayers | Bacino, 2013
Miguel Angel Ríos, Untitled, 2012. Graphite on cutout paper, 51 in. diameter
Miguel Angel Ríos, Folding Borders Exhibition, Sicardi | Ayers | Bacino, 2013
Miguel Angel Ríos, Folding Borders Exhibition, Sicardi | Ayers | Bacino, 2013
Miguel Angel Ríos, WE TRUST, 2011. Mexican craft paper, 9 x 21 x 1 3/4 in.
Installation view of works by Miguel Angel Rios on view in the exhibition Theater of Operations: The Gulf Wars 1991–2011 at MoMA PS1, New York from November 3, 2019 to March 1, 2020. Image courtesy of MoMA PS1. Photo by Matthew Septimus.
MIGUEL ANGEL RÍOS
[1943, Argentina]
Miguel Angel Ríos studied at the Escuela de Bellas Artes in Buenos Aires before moving to New York in the 1970s to escape the military dictatorship in Argentina. He subsequently relocated to Mexico and now divides his time between the USA and Mexico.
In his work, Ríos pairs a rigorous conceptual approach with a meticulously constructed and often handmade aesthetic. Since the 1970s, he has made work about the concept of the "Latin American," using this idea as both an artistic strategy and a political problem. In the 1990s, he began creating a series of maps, which he carefully folded and pleated by hand. Marking the 500th anniversary of the "discovery" of the Americas, the maps indicate long histories of power and colonial experience, and they reference traditional Indigenous arts in the Americas, including the Andean quipu.
Since the early 2000s, Ríos has also delved into the medium of video to create symbolic narratives about human experience, violence, and mortality. For example, his videos of spinning tops--trompos--use the childhood game of tops as a backdrop for a meditation on the transience of life and the mechanics of power. In his 2012 Untitled video from The Ghost of Modernity, Ríos references high Modernism--with direct nods to John Cage, Marcel Duchamp, and Donald Judd--in the midst of the Mexican desert. "Is this ghostly geometric figure a lens through which the world can be reinterpreted?" the artist asks. "Or is it the paradigmatic principle of modernist thought that organizes the world around it? Are we inside or outside the cube? "
Ríos’s works have been shown in a number of important solo exhibitions, including Landlocked, Arizona State University Art Museum, Phoenix, Arizona, USA (2015); Miguel Angel Ríos: Walkabout, Des Moines Art Center, Iowa, USA and Museo de Arte Carrillo Gil (MACG), Mexico City, Mexico (with exhibition catalogue) (2012); Miguel Angel Ríos, Dunedin Public Art Gallery, Dunedin, New Zealand (2010); Manhattan Códice, John Weber Gallery, New York City, New York, USA and Museo de Arte Carrillo Gil (MACG), Mexico City, Mexico (1999); Miguel Angel Ríos: Neither Colour, nor height, MUCEM, Marseille, France (2017);Miguel Angel Ríos, Museo de Arte Latinoamericano de Buenos Aires (MALBA), Argentina (2009); On The Edge, Museum of Contemporary Art San Diego (MCASD), California, USA (2009); Miguel Angel Ríos: On the Edge, The Museum of Fine Arts, Houston (MFAH), Texas, USA (2019); A Morir, Phoenix Art Museum, Arizona, USA (2007); and No Way Out, Röda Sten Konsthall, Gothenburg, Sweden (2019).
Ríos’s works are represented in several major collections including Biblioteca Luis Ángel Arango, Bogotá, Colombia; Colección Patricia Phelps de Cisneros (CPPC), Caracas, Venezuela and New York City, New York, USA; Daros Latinamerica Collection, Zurich, Switzerland; Fundación "la Caixa," Barcelona, Spain; Hirshhorn Museum and Sculpture Garden, Washington DC, USA; Maison Européenne de la Photographie (MEP), Paris, France; Museo de Arte Latinoamericano de Buenos Aires (MALBA), Argentina; Museo Nacional Centro de Arte Reina Sofía (MNCARS), Madrid, Spain; The Museum of Fine Arts, Houston (MFAH), Texas, USA; Museum of Modern Art (MoMA), New York City, New York, USA; Pérez Art Museum Miami (PAMM), Florida, USA;Philadelphia Museum of Art, Pennsylvania, USA; and Phoenix Art Museum, Arizona, USA.
2023
Al Margen de la luz, Galería Karen Huber, Mexico City, Mexico
2022
Miguel Angel Ríos: Deterritorialization, Galerie Akinci, Amsterdam, the Netherlands
2019
Miguel Angel Ríos: The Geopoetics of Things, Momenta Biennale de l’image & Optica, Montreal, Quebec, Canada
Mi nombre es Lima, Galería Barro, Buenos Aires, Argentina
No Way Out, Röda Sten Konsthall Gothenburg, Sweden
Miguel Angel Ríos: Torn to Shreds, Sicardi | Ayers | Bacino, Houston, TX, USA
Miguel Angel Ríos: On the Edge, Museum of Fine Arts, Houston (MFAH), TX, USA
2017
Miguel Angel Rios: A Morir (To the Death), Ackland Art Museum, Chapel Hill, NC, USA
Miguel Angel Rios: Neither Colour, nor height, Musée des Civilisations de l’Europe et de la Méditerranée (MUCEM), Marseilles, France
Miguel Angel Rios: Acirema, No es agua Ni Arena la Orilla del Mar, Espaivisor Galeria Visor, Valencia, Spain
2015
Landlocked, Arizona State University Art Museum, Phoenix, AZ, USA
Endless, Sicardi Gallery, Houston, TX, USA
2013
Folding Borders, Sicardi Gallery, Houston, TX, USA
A través de la frontera, Sala de Arte Público Siqueiros, Mexico City, Mexico
2012
Museé d’Art Moderne de Saint-Étienne, France
Miguel Angel Ríos: Walkabout, Des Moines Art Center, Des Moines, IA and Museo de Arte Carrillo Gil, Mexico City, Mexico
2011
Miguel Angel Ríos, Alonso Garces Galeria, Bogotá, Colombia
Miguel Angel Ríos, Ruth Benzacar Galeria, Buenos Aires, Argentina
Mecha, Nederlans Instituut voor Mediakunst, the Netherlands
2010
Miguel Angel Ríos, Galeria Andres Millan, São Paulo, Brazil
Miguel Angel Ríos, Dunedin Public Art Gallery, Dunedin City Council, New Zealand
2009
Miguel Angel Ríos, Malba-Fundación Costantini, Museo de Arte Latinoamericano de Buenos Aires, Argentina
On The Edge, Museum of Contemporary Art San Diego (MCASD), CA, USA
Miguel Angel Ríos, EVO Gallery, Santa Fe, NM, USA
Maison Européenne de la Photographie (MEP), Paris, France
Crudo, Galerie Akinci, Amsterdam, the Netherlands
2008
A Morir, Sala de Arte Contemporáneo, Tenerife, Canary Islands, Spain
Aquí, Fries Museum, Leeuwarden, the Netherlands
Crudo, LA><ART, Los Angeles, CA, USA
White Suit, Galerie Thomas Schulte, Berlin, Germany
2007
Aquí, Ex-convento de Tepoztlán, Morelos, Mexico; Blaffer Art Museum at University of Houston, TX and EVO Gallery, Santa Fe, NM, USA
On The Edge, Marco Noire Contemporary Art, Torino, Italy and ARCO, Madrid, Spain
Fuego Amigo, Ex-convento de la Natividad, Tepoztlán, Morelos, Mexico
A Morir, Phoenix Art Museum, AZ, USA
Aquí, Galeria Milan Antonio, São Paulo, Brazil
Concentrations 49: Miguel Angel Ríos, Dallas Museum of Art, TX, USA
2006
Serie Homenaje a Robert Mapplethorpe, Galería Nina Menocal, Mexico City, Mexico
On The Edge, Jack Tilton Gallery, New York, NY, USA
Miguel Angel Ríos: Love, Miami Art Museum, FL, USA
2005
Love, Marco Noire Contemporary Art, Torino, Italy
Miguel Angel Ríos, Ruth Benzacar Galeria, Buenos Aires, Argentina
Miguel Angel Ríos, Hirshhorn Museum and Sculpture Garden, Washington, D.C, USA
2004
A Morir, Art Unlimited, Marco Noire Contemporary Art, Art Basel, Switzerland
2003
Miguel Angel Ríos, Los Angeles Contemporary Exhibitions (LACE), Los Angeles, CA, USA
Miguel Angel Ríos, Galerie Thomas Schulte, Berlin, Germany
Ni me busques…no me encuentras, White Box, New York, NY, USA
A Morir, Artists Space, New York, NY, USA
2002
Ni me busques…no me encuentras, Basel Art Unlimited, Project Room, Marco Noire Contemporary Art, Basel, Switzerland
2001
El viaje del botanista, Sala Mendoza, Caracas, Venezuela
1999
Manhattan Códice, Museo de Arte Carrillo Gil, Mexico City, Mexico and John Weber Gallery, New York, NY, USA
1998
Los Vientos del Sur, Ruth Benzacar Galeria, Buenos Aires, Argentina
1995
Miguel Angel Ríos, Wohn Maschine Gallery, Berlin, Germany
Miguel Angel Ríos, John Weber Gallery, New York, NY, USA
1993
Así en la tierra como en el cielo, Museo de Arte Contemporáneo de Monterrey (MARCO), Mexico
Miguel Angel Ríos, John Weber Gallery, New York, NY, USA
1992
Miguel Angel Ríos, Museo de Arte Moderno de Buenos Aires (MAMBA), Argentina
Miguel Angel Ríos, Gallery Der Brucke, Buenos Aires, Argentina
Miguel Angel Ríos, Gallery Ramis Barquet, Monterrey, Mexico
Miguel Angel Ríos: El juego y el dolor, Galeria de Arte Mexicano, Mexico City, Mexico
1991
Miguel Angel Ríos, Vrej Baghoomian Gallery, New York, NY and ARCO, Madrid, Spain
1989
Miguel Angel Ríos, Vrej Baghoomian Gallery, New York, NY, USA
1988
Galeria de Arte Mexicano, Mexico City, Mexico
1984
Allen/Wincor Gallery, New York, NY, USA
1983
Ueda Gallery, Tokyo, Japan
1980
Ueda Gallery, Tokyo, Japan
21 C Museum Hotel, Lexington, KY, USA
Biblioteca Luis Angel Arango, Bogotá, Colombia
Cisneros Fontalnals Art Foundation (CIFO), Miami, FL, USA
Colección Isabel y Augustín Coppel
Colección Patricia Phelps de Cisneros, New York, NY, USA
Daros Latinamerica Collection, Zürich, Switzerland
Des Moines Art Center, Des Moines, Iowa, USA
Diane and Bruce Halle Collection, Scottsdale, AZ, USA
Fries Museum, Leeuwarden, the Netherlands
Fundación Arte y Mecenazgo, La Caixa, Barcelona, Spain
Fundación Costantini, Museo de Arte Latinoamericano (MALBA), Buenos Aires, Argentina
Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA
Kunsthalle Hamburg, Hamburg, Germany
La Maison Européenne de la Photographie, Paris, France
Los Angeles County Museum of Art (LACMA), CA, USA
Marieluise Hessel Collection at Center for Curatorial Studies Bard College, Annandale-on-Hudson, NY, USA
Metropolitan Museum of Art, New York, NY, USA
Miami Art Museum (MAM), FL, USA
Musée d’Art Moderne de Saint-Etienne, Saint-Priest-en-Jarez, France
Musée d’Art Moderne et Contemporain, Toulouse, France
Museo de Arte Contemporáneo de Castilla y León (MUSAC), León, Spain
Museo Extremeño e Iberoamericano de Arte Contemporáneo (MEIAC), Badajoz, Spain
Museo Nacional, Centro de Arte Reina Sofía, Madrid, Spain
Museu d’Art Contemporani de Barcelona (MACBA), Spain
Museu Fundação Serralves, Porto, Portugal
Museum of Contemporary Art (MOCA), Los Angeles, CA, USA
Museum of Fine Arts, Houston (MFAH), TX, USA
Museum of Modern Art (MoMA), New York, NY, USA
Pérez Art Museum Miami (PAMM), FL, USA
Philadelphia Museum of Art (PAM), PA, USA
Phoenix Art Museum, AZ, USA
Santa Barbara Museum of Art, CA, USA
The Art, a Hotel, Denver, CO, USA
The Bronx Museum of the Arts, NY, USA
Exhibition review by NYC-based art editorial project, Two Coats of Paint.
Cassie Packard writes about Schema: World as Diagram for The Brooklyn Rail.
Leading contemporary conceptual artist Miguel Angel Ríos and his video Crudo, 2008, on view at The University of Texas at Austin.
A French and a Swiss curator – Paul Ardenne, art historian and author of an authoritative work on the art of the Anthropocene epoch, and Barbara Polla, writer and initiator of an Environment and Health Program of the University of Geneva – have been organizing yearly video reviews since 2011 for showcasing the most progressive works of video art. This year, exceptionally, the event is held in Hungary, within the framework of Art Capital. In terms of thematics, the works share in common references to the relationship between the natural and built environments, to the global effects of human interventions, as well as to the memory of Paradise Lost and the idea of creating a new Eden.
We are urged to imagine a sustainable, beautiful, inviting world: to reconstruct Eden and a post-human way of being in the world.
Bienvenue au Paradis !
Dans le cadre de l'exposition TALKING ABOUT A REVOLUTION, conçue par Paul Ardenne, Visconti22 et VIDEO FOREVER ont le plaisir de vous inviter à la projection VIDEO FOREVER 36 *RÉSISTANCES À LA MARGE*