Miguel Ángel Rojas, portrait at his studio, Bogotá, Colombia
Miguel Ángel Rojas, Greed and Desire Exhibition, Sicardi | Ayers | Bacino, 2018
Miguel Ángel Rojas, Serie Faenza: Sobre Porcelana, 1979, printed c.1980. Six vintage silver gelatin prints, 27 1/2 x 19 2/3 in. (each)
Miguel Ángel Rojas, Serie Faenza. Bienal de São Paulo, 2018
Miguel Ángel Rojas, Serie Faenza: Tres en platea, 1979, Silver Gelatin on aluminum, 32 1/4 x 48 in.
Miguel Ángel Rojas, La Esquina Rosada (Edition of 3 + 2AP), 1975/2015. Inkjet print from color transparency on 300 gr. Hahnemühle cotton papers, 23 5/8 x 15 3/4 in. (each)
Miguel Ángel Rojas, Grano, 1980-1981. Installation Mineral Pigments at 2007 Objetivo-Subjetivo, Museo de Arte del Banco de la República, Bogotá, Colombia
Miguel Ángel Rojas, Mirando la flor (Edition of 3 + 2AP), 1997-2007. Video and 2 silver gelatin prints, 5:22 min., 31 7/8 x 44 in. (each)
Miguel Ángel Rojas, installation view 2007 Objetivo-Subjetivo [partially developed photographs] Museo de Arte del Banco de la República, Bogotá, Colombia
Miguel Ángel Rojas, Economía Salvaje, [left] 2018. Mural, serigraph with clay, vegetal pigments and gold leaf. 158 x 590 in. El nuevo dorado, [right] 2018. Serigraph with vegetal pigments and gold leaf. 158 x 708 in. at the 2018 Shangai Biennial
Miguel Ángel Rojas, El nuevo dorado, 2018, Serigraph print with vegetable pigments and gold leaf. 157.48 x 708.66 in. (detail)
Miguel Ángel Rojas, Economia Intervenida, Ensamblaje. Video, coca leaf powder, gold leaf and aluminum, 43 5/16 in. x 64 3/16 in.
Miguel Ángel Rojas, the making of Economía Intervenida, Ensemblaje
Miguel Ángel Rojas, At the Edge of Scarcity Exhibition, Sicardi | Ayers | Bacino, 2011
Miguel Ángel Rojas in his studio in Bogotá, Colombia, producing El Capital, Diptych, [Ed. of 3 + 1AP], 2009. Acrylic, gold leaf, silver and gold electrolytic, 16 x 66 in. each
Miguel Ángel Rojas in his exhibition El Camino Corto at Sala de Arte Público Siqueiros, Cuernavaca, Mexico, 2013
Miguel Ángel Rojas, Exhibition at Sicardi | Ayers | Bacino, 2006
Miguel Ángel Rojas, Greed and Desire Exhibition, Sicardi | Ayers | Bacino, 2018
Miguel Ángel Rojas, El camino corto. Diptych, Ed. 1/3 [Edition of 3], 2010. Cut coca leaf and dollar bills, 35 13/32 x 80 5/16 in. each
Miguel Ángel Rojas, El camino corto, 2010 in the making
Miguel Ángel Rojas, At the Edge of Scarcity Exhibition, Sicardi | Ayers | Bacino, 2011
Miguel Ángel Rojas, Nowadays (Ed. of 3 + 2 AP), 2001. Installation: coca leaves mounted on acetate, at 2007 Objetivo-Subjetivo, Museo de Arte del Banco de la República, Bogotá, Colombia
Miguel Angel Rojas, solo exhibition, Sicardi | Ayers | Bacino, 2006
Miguel Ángel Rojas, Machu Picchu, detail, 2013, Dollar bills and coca leaves on paper, 19 7/8 x 66 16/16 in.
Miguel Ángel Rojas, Greed and Desire Exhibition, Sicardi | Ayers | Bacino, 2018
Miguel Ángel Rojas, Sin frío permanente (Edition of 2 + 1AP), 2012. Impression with coca leaf powder on jute, 96 1/2 x 53 1/8 in.
Miguel Ángel Rojas, Broadway installation at Contingent Beauty Exhibition, The Museum of Fine Arts, Houston, 2015
Miguel Ángel Rojas, La cama de piedra, 2000. Polyptych: Ink and silver leaf on polyester filled canvas. 36 3/16 x 66 7/8 in. each. Collection: Museo Nacional de Colombia
Miguel Ángel Rojas, Por Pan installation in El Cuerpo Sutil exhibition, Sicardi | Ayers | Bacino, 2014
Miguel Ángel Rojas, Selva Cosmopolitica, 2014, Bogotá, Colombia.
Clemencia Echeverri and Miguel Angel Rojas
Miguel Angel Rojas in his studio.
Miguel Angel Rojas with students in Colombia.
MIGUEL ÁNGEL ROJAS
[1946, Colombia]
Miguel Ángel Rojas is a conceptual and multimedia artist whose work addresses subjective experience, identity, and politics. His projects have included indictments of international drug trafficking and violence, and much of his work focuses upon experiences of marginality. In 1964, he began studying architecture at the Pontificia Universidad Javeriana, where he remained for six semesters. Deciding not to pursue a career in architecture, Rojas enrolled at the School of Fine Arts at Universidad Nacional de Colombia (UNAL) in Bogotá in 1969. His earliest experiments with long-exposure photographic portraits and self-portraits began during this period in the mid-1960s and continued throughout the 1970s.
In 1973, he began one of his most important series of photographs, the Faenza series. Rojas took these photographs—of encounters between gay men at B-movie theaters in Bogotá—secretly, hiding his camera in a suitcase or under a jacket. The resulting images are ghostly records of the affective and physical experiences of a largely invisible community. The series also marks Rojas’s first exploration of his own subjectivity as central to his work, and it was his first extended foray into photography. Throughout the 1970s and 1980s, Rojas also worked with engraving, drawing, video, intaglio, stitching, and photographic reductions.
In the mid-1990s, Rojas began using coca leaves in his work. Initially, the works explored histories of indigenous life in Colombia, but over time Rojas began using them to comment upon the production of cocaine for consumption in the first world. Since the 1990s, he has used coca to reconstruct pop imagery, bringing consumerism into dialogue with widespread political and social problems.
Rojas’s works have been shown in numerous selected exhibitions, including Medellín, Une Histoire Colombienne, Les Abattoirs, Musée - Frac Occitanie Toulouse, France (2017); Re-Aligning Vision, Archer M. Huntington Art Gallery, The University of Texas at Austin, Texas, USA, Arkansas Art Center, Little Rock, Arkansas, USA, Museo de Arte Contemporáneo de Monterrey (MARCO), Mexico, Museo de Bellas Artes, Caracas, Venezuela, El Museo del Barrio, New York City, New York, USA, and Pérez Art Museum Miami (PAMM), Florida, USA
(1997); Home-So Different, So Appealing: Art from the Americas since 1957, Los Angeles County Museum of Art (LACMA), California, USA (2017); David, La vitrina, lugar a dudas, Cali, Colombia (2007); Camino Corto, Museo de Arte de la Universidad Nacional de Colombia, Bogotá, Colombia (2012); Objetivo-Subjetivo, Banco de la República, Bogotá, Colombia (2007); El arte de la desobediencia, Museo de Arte Moderno de Bogotá (MAMBO), Colombia (2018); Return to the Maloca, Museo de Arte Moderno de Bogotá (MAMBO), Colombia (2021); El Jaguar y la Mariposa, Museo Nacional de Colombia, Bogotá, Colombia (2020); Contingent Beauty: Contemporary Art in Latin America, The Museum of Fine Arts, Houston (MFAH), Texas, USA (2015); Latin American Artists of the Twentieth Century, Museum of Modern Art (MoMA), New York City, New York, USA (1993); Transmissions: Art in Eastern Europe and Latin America, 1960-1989, Museum of Modern Art (MoMA), New York City, New York, USA (2015); and the Shanghai Biennale, Power Station of Art, Shanghai, China (2018).
Rojas’s works are represented in several major collections including Ambassade de France à Bogota, Bogotá, Colombia; Art Institute of Chicago, Illinois, USA; Biblioteca Luis Ángel Arango, Bogotá, Colombia; Casa de las Américas, Havana, Cuba; Daros Latinamerica Collection, Zurich, Switzerland; Elton John Art Collection, England, UK; Fundación "la Caixa," Barcelona, Spain; Instituto Nacional de Bellas Artes y Literatura (INBAL), Mexico City, Mexico; Museo de Arte Contemporáneo de Castilla y León (MUSAC), Madrid, Spain; Museo de Arte Contemporáneo de Monterrey (MARCO), Mexico; Museo de Arte de la Universidad Nacional de Colombia, Bogotá, Colombia; Museo de Arte Moderno de Barranquilla (MAMB), Colombia; Museo de Arte Moderno de Bogotá (MAMBO), Colombia; Museo de Arte Moderno de Bucaramanga, Colombia; Museo de Arte Moderno de Cartagena de Indias, Colombia; Museo de Bellas Artes, Caracas, Venezuela; Museo La Tertulia, Cali, Colombia; Museo Nacional Centro de Arte Reina Sofía (MNCARS), Madrid, Spain; Museo Nacional de Colombia, Bogotá, Colombia; The Museum of Fine Arts, Houston (MFAH), Texas, USA; Museum of Modern Art (MoMA), New York City, New York, USA; San Francisco Museum of Modern Art (SFMOMA), California, USA; and Tate Modern, London, England, UK.
2022
Yo, usted y el Clan, Galería Casas Riegner, Bogotá, Colombia
2021
Regreso a la Maloca, Museo de Arte Moderno de Bogotá (MAMBO), Bogotá, Colombia
2020
El Jaguar y la Mariposa, Museo Nacional de Colombia, Bogotá, Colombia
2018
Greed and Desire, Sicardi | Ayers | Bacino, Houston, TX, USA
Una y otra vez, las tardes suspendidas, Galería Casas Riegner, Bogotá, Colombia
2015
Un Jardín para Inés, Museo Claustro de San Agustín, Bogotá, Colombia
Miguel Ángel Rojas: Unas de cal y otras de arena (Quimbaya), Museo Nacional de Artes Decorativas, ARCO Madrid 2015, Madrid, Spain
2013
El camino corto, Sala de Arte Público Siqueiros, Cuernavaca, Morelos, Mexico
Negocios Grandes y Pequeños, Galería Casas Reigner, Bogotá, Colombia
2012
Camino Corto, Museo de Arte Universidad Nacional, Bogotá, Colombia
El Nuevo Dorado, Solo Project invitation, ARCO: Feria Internacional de Arte Contemporáneo, Madrid, Spain
2011
At the Edge of Scarcity, Sicardi Gallery, Houston, TX, USA
2009
Pueblito, Museo Bolivariano de Arte Contemporáneo, Santa Martha, Colombia
2008
Fotofest, 2008, Sicardi Gallery, Houston, TX, USA
2007
Objetivo-Subjetivo, Museo de Arte del Banco de la República, Bogotá, Colombia
David, La vitrina, Lugar a Dudas, Cali, Colombia
2006
Fotofest 2006, Sicardi Gallery, Houston, TX, USA
2002
La Cama de Piedra, Museo Nacional, Bogotá, Colombia
2001
Sub, Galería Valenzuela, Klenner, Bogotá, Colombia
2000
La Cama de Piedra, Alianza Colombo – Francesa, Bogotá, Colombia
1995
Pascal y Pascual, Museo del Chopo, Mexico City, Mexico
1992
Dibujo y Pintura, Galería Arteria, Barranquilla, Colombia
1991
Bio, Museo de Arte Moderno de Bogotá (MAMBO), Colombia
1990
Miguel Angel Rojas, Museo de Arte Moderno, Cartagena, Colombia
Miguel Angel Rojas obra en proceso, Museo de Arte Moderno, Medellín, Colombia
Pinturas, Galería Garcés-Velásquez, Bogotá, Colombia
1985
Bio, Intar Latin-American Gallery, New York, NY, USA
1982
Subjetivo, Galería Garcés-Velásquez, Bogotá, Colombia
1981
Works on Paper, Center for Inter-American Relations, New York, NY, USA
1980
Grano, Museo de Arte Moderno de Bogotá (MAMBO), Colombia
Banco de Mexico, Mexico City, Mexico
Casa de las Americas, Havana, Cuba
Cisneros Fontanals Art Foundation (CIFO), Miami, FL, USA
Coleccion de la Rectoria de la Universidad Nacional de Colombia, Bogotá, Colombia
Coleccion Embajada de Colombia en España, Madrid, Spain
Daros Latin America Collection, Zürich, Switzerland
Diane and Bruce Halle Collection of Latin American Art, Scottsdale, AZ, USA
Embajada de Francia, Bogotá, Colombia
Fundación La Caixa, Barcelona, Spain
Instituto Nacional de Bellas Artes, Mexico City, Mexico
Les Abattoirs Musée-FRAC Occitanie Toulouse, Toulouse, France
Museo de Arte Americano de Managua, Managua, Nicaragua
Museo de Arte Banco de La República, Bogotá, Colombia
Museo de Arte Contemporáneo de Castilla y León (MUSAC), Leon, Spain
Museo de Arte Contemporáneo de Monterrey, Mexico
Museo de Arte Moderno La Tertulia, Cali, Colombia
Museo de Arte Moderno, Barranquilla, Colombia
Museo de Arte Moderno, Bogotá, Colombia
Museo de Arte Moderno, Bucaramanga, Colombia
Museo de Arte Moderno, Cartagena, Colombia
Museo de Arte Universidad Nacional, Bogotá, Colombia
Museo de Bellas Artes, Caracas, Venezuela
Museo Nacional, Bogotá, Colombia
Museum of Fine Arts, Houston (MFAH), Houston, TX, USA
Museum of Modern Art (MoMA), New York, NY, USA
Tate Modern, London, UK